you’re probably familiar with this 19th-century carol. But did you know it is based on a real Bohemian king? You can read more
here.
my arrangement contains viola and alto recorder, accompanied by zither. I hope you enjoy it!
Category Archives: Zither
“Bring a Torch, Jeanette, Isabella” #Christmas #Music
Here is a 17th-century French Christmas carol that is still sung today. The French title is “Un flambeau, Jeannette, Isabelle,” and it was translated into English in the 18th century. Originating in the Provence region of France, it was not meant to be sung at Christmas, but was considered dance music for the French nobility.
In the lyrics, two farm girls, Jeanette and Isabella, find the Christ Child with his mother in the stable. The song describes how one should speak quietly and see how the baby is peacefully sleeping, enjoying his dreams. Then, they rush to a nearby village to share the news of His birth, and everyone comes to see the baby. To this day in the Provence region, children dress as shepherds and milkmaids and sing this carol on their way to Midnight Mass, carrying torches and candles.
My arrangement contains alto recorder and zither and is played as a lullaby rather than a dance tune. I hope you enjoy it! Have a safe, peaceful, blessed, and very Merry Christmas!
“Auf! Auf Doch, Ihr Kinder!” #Music
This is a German folk song, urging children to “Get up!” (Auf) on Christmas morning and celebrate the Christ Child. I couldn’t find more information about it, except the lyrics, which I couldn’t remember well enough to sing. However, this is a beautiful melody, and I hope you enjoy hearing it on zither, viola, and alto recorder!
“What Child Is This?” Bonus DSE #Christmas #Music
William Chatterton Dix wrote the lyrics to this well-known Christmas carol in 1865, after undergoing both a severe illness and a spiritual renewal. His lyrics were later set to the traditional English folk song, “Greensleeves,” the melody we still sing today–but typically with some accidentals added. “What Child Is This?” is more popular in the United States than in Great Britain today.
Here is the traditional tune, without the accidentals, played on lyre and zither simultaneously. This is another
Double Strung Experiment
that is especially beautiful at this time of year.
I hope you enjoy this arrangement!
There’s still time to participate in my
Holiday Blogging Party!
Click the link to learn how!
“We Wish You a Merry Christmas” #Music
This song needs no introduction. 🙂 But, for the sake of completeness, here is a little background. The author of this traditional English carol is unknown. It’s been sung by carolers, wassailers, and mummers since the 19th century, and perhaps earlier. The organist and composer Arthur Warrell popularized this carol. He arranged it for the University of Bristol Madrigal Singers as a very elaborate four-part harmony arrangement, which they performed in 1935. The song remains popular today, both in the United Kingdom and the United States.
I hope you enjoy this arrangement, played on zither, viola, and alto recorder! And I wish you a merry Christmas and a Happy New Year!
Want to participate in my Holiday Blogging Party? There’s still time!
Click here to learn how!
“The Friendly Beasts” #Christmas #Music
“The Friendly Beasts” is a traditional Christmas song. Though some sources say it’s an english carol, the melody is actually French. It’s the 12th-century melody of the Latin song, “”Orientis Partibus”. Robert Davis wrote the current English lyrics in the 1920’s.
In my arrangement, the donkey is represented by zither. Viola represents the cow. The doves are represented by melody and harmony on alto recorder, and the sheep is represented by lyre. In addition, verses 3 and 4 (cow and doves) are accompanied by ukulele.
I hope you enjoy this touching Christmas song!
There’s still time to participate in my
Holiday Blogging Party!
Click the link to learn how!
“The Holly and the Ivy” Bonus DSE #Christmas #Music
“The Holly and the Ivy” is a traditional British folk Christmas carol. However, it is more popular in the United States than in England. Though the song can only be traced as far as the early 19th century, the association of holly with Christmas dates back as far as Medieval times, if not earlier. The carol varied throughout traditional communities, and the standardized version we know today was first published in 1909, in a folk song collection by Cecil Sharp.
This is another double strung experiment, where I play lyre and zither at the same time. I.e. the instruments are not mixed, but are played together in real-time. In my last
double strung experiment post,
I said the next time you heard something with 2 rows of strings, it would be a real double strung harp. However, the harp won’t arrive until sometime next year (hopefully), and I really wanted to play something for Christmas. Ever since the first time I heard a double strung harp, with its ringing sound, I thought it would be especially beautiful at Christmastime.
I hope you enjoy “The Holly and the Ivy” on lyre and zither! I know I’ve enjoyed playing it!
There’s still time to participate in my
Holiday Blogging Party!
Click the link to learn how!
Two #Hanukkah Songs #Chanukah #Music
The Jewish Festival of Lights begins tonight! In the spirit of celebration and friendship, I offer you two Hanukkah songs played on zither and viola.
The first is “Chanukah.” I couldn’t find out who wrote these lyrics and music; so, please share if you know! It’s the 10th song on
this page,
under the “Chanukah” heading.
The second is “I Have a Little Dreidel,” also known by many other names! It is so popular that even non-Jewish people recognize it. Though I’m not Jewish, I have played Dreidel with Jewish friends during Hanukkah, and won some chocolate gelt, too! You know, those foil-covered chocolate coins that often come in a mesh bag and bring the promise of sweetness! You can read more about this fun and popular song
here.
You can also listen to the
First Night Chanukah Blessings
I recorded with ukulele last year.
I wish everyone who is celebrating a happy, blessed, sweet, and joyous Hanukkah/Chanukah! Gotta love those latkes! 😀
This post is part of my Holiday Blogging Party.
You’re invited!
Please click the link, and participate as much as you like!
“Patapan” #Advent #Music
French poet Bernard de La Monnoye wrote “Patapan” (or “Pat-a-pan”), a Burgundian carol first published in 1720. Its original title was “Guillô, Pran Ton Tamborin” (“Willie, Bring Your Little Drum” or, as some English translations say, “Willie, Take Your Little Drum”). “Patapan” is a lesser known, but beautiful traditional Christmas carol that revolves around shepherds playing simple instruments at the birth of Christ. The title itself, “Patapan,” mimics the sound of the drum, and the sound “tu-re-lu-re-lu” in the refrain mimics the flute or fife. You can find one anonymous English translation
here.
I hope you enjoy hearing this carol on zither, which is a plucked instrument, and Oriole recorder, a vertical flute!
This post is part of my Holiday Blogging Party. You’re welcome to join in!
Click here to learn how.
“The More We Get Together” #Music
The holidays are coming, whether we like them or not, whether we celebrate them or not, and no matter how different our celebrations may be this year than in years past! They are coming nonetheless, and it would be more positive to embrace them than to dread them, or wish they were different!
TO that end, I offer “The More We Get Together,” a Viennese melody composed by Marx Augustin in 1679. Its German title is “Oh du lieber Augustin.” In the United States, the tune is a children’s song, but it’s fun, and as strange as it may seem, also timely. We still need to get together with our loved ones, reach out and make new friends and contacts, etc. Even if our physical gatherings are limited, there are so many ways we can still get together for the holidays and all year long! As the song says, “The more we get together, the happier we’ll be!” I believe this to be true.
Today you’re listening to zither, Oriole (soprano) Recorder, and viola. That’s right, viola. You know, the middle voice of the string section in an orchestra… The instrument with its own individual clef for musical scores… The true alto, tuned a fifth below the violin and an octave above the cello… And the instrument that is the butt of nearly every joke in the orchestra… What? You mean you didn’t know any of that? Then you clearly don’t play viola! 🙂
Well, neither do I, at least not in the traditional sense. I hold the viola upright on my lap, more like a baby cello, and sometimes with a strap for support. Because of neck, shoulder, and back pain, I can’t hold it in shoulder playing position. I even removed the chin rest.
I also have more than normal trouble with the bow, especially in this position. So, I ditched the traditional long bow for a tiny–literally 4 inches long at most–bow meant to be used on acoustic guitar. It works. But it’s so short. This means that right now I can only play short notes, until I can purchase a different bow that’s easier on my right hand and arm. In addition, I’m playing with a rubber practice mute installed, to save my husband and neighbors from the full volume. So, no, I’m not traditional in this case. But dog gone it, I still want to play, and play I do!
I don’t have access to a multi-track device or software, so I recorded the zither, viola, and recorder separately, then mixed them. This takes a lot of time and is frustrating, but for now it will have to do.
One more thing… I know that at least one of my blog followers has perfect pitch. You know who you are. 🙂 Please accept my apology. I’ve had the viola less than a week, and I’m still working on intonation. A viola, like violin, cello, some banjos, etc, has no frets. So, you must learn, by a combination of sound and feel, where the musical intervals are on each string. Of course, there was a sticker on the fingerboard showing pretty colored lines for each note! But not being able to see made this a hindrance rather than a help, and I removed that as well. Correct intonation/pitch is the bane of every violinist’s, violist’s, and cellist’s beginning days. I’m not a total beginner, but it’s been years since I picked up a violin or viola. My intonation will improve, and thanks for bearing with me in the meantime!
I hope you enjoy “The More We Get Together!”
Mystical Strings 
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