This beautiful Christmas carol began as a poem written by Cecil Frances Alexander in 1848. The poem is based on Luke 2:4-7, which read:
“And Joseph also went up from Galilee, out of the city of Nazareth, into Judaea, unto the city of David, which is called Bethlehem; (because he was of the house and lineage of David:)
To be taxed with Mary his espoused wife, being great with child.
And so it was, that, while they were there, the days were accomplished that she should be delivered.
And she brought forth her firstborn son, and wrapped him in swaddling clothes, and laid him in a manger; because there was no room for them in the inn.”
In 1849, English organist Henry John Gauntlett discovered the poem and set it to his melody entitled “Irby,” which is the tune we still sing today.
I first heard this carol on a CD of English (as in from England) carols someone gave me for Christmas when I was about 15. It was a choral arrangement that began with a soprano soloist. For some reason the melody and lyrics
were unforgetable to me, and I learned to play the carol by ear on piano to accompany my singing.
Here is “Once in Royal David’s City” on ukulele, viola, alto recorder, and lyre. I hope you enjoy it!
This haunting carol is said to be Canada’s oldest Christmas song. Jean de Brébeuf, a Jesuit missionary at Sainte-Marie among the Hurons, wrote “Huron Carol” around 1642. It is also called “Twas in the Moon of Wintertime.”
The lyrics are an aboriginal Canadian retelling of the Nativity story, using imagery familiar to native people. Brébeuf wrote the lyrics in the Huron/Wendat people’s native language, in which the original title is “Jesous Ahatonhia” (“Jesus, he is born”). The song has been translated into both French and English.
The melody is based on a French folk tune called “Une Jeune Pucelle” (A Young Maid). The carol is still found in Canadian hymnals today.
I hope you enjoy listening to “Huron Carol” on ukulele, viola, and alto recorder!
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French poet Bernard de La Monnoye wrote “Patapan” (or “Pat-a-pan”), a Burgundian carol first published in 1720. Its original title was “Guillô, Pran Ton Tamborin” (“Willie, Bring Your Little Drum” or, as some English translations say, “Willie, Take Your Little Drum”). “Patapan” is a lesser known, but beautiful traditional Christmas carol that revolves around shepherds playing simple instruments at the birth of Christ. The title itself, “Patapan,” mimics the sound of the drum, and the sound “tu-re-lu-re-lu” in the refrain mimics the flute or fife. You can find one anonymous English translation here.
I hope you enjoy hearing this carol on zither, which is a plucked instrument, and Oriole recorder, a vertical flute!
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“Infant Holy, Infant Lowly” is a traditional Polish Christmas carol. Its original title is “W Żłobie Leży.” Edith Margaret Gellibrand Reed translated the lyrics into English in 1920. The text is based on Luke 2:7, which reads, “And she brought forth her firstborn son, and wrapped him in swaddling clothes, and laid him in a manger; because there was no room for them in the inn. (KJV)” The melody may date back as far as the 13th century.
Today you’re listening to melody and harmony on alto recorder, melody on viola, and ukulele accompaniment. I hope you enjoy this beautiful carol!
Tomorrow we celebrate Thanksgiving in the United States. Wherever you live, this can be a time to reflect on and express gratitude and thankfulness. Gratitude is the inner feeling that you have received kindness. Thankfulness is the expression of that feeling. Both are positive and, though seemingly small, add so much to our lives. After all, if we don’t acknowledge the good things we already have, how can we receive more? The feeling of gratitude opens us to more positive feelings, including kindness and compassion toward ourselves and others.
“Angel” is a piece I wrote in 2003, on keyboard and harmonica. I hope you enjoy hearing it on lyre, Oriole soprano recorder, Oriole Dolce Duo (a double flute), and viola. Putting this together was a labor of love!
I wish each one of you a blessed, happy, hopeful, peaceful, and safe Thanksgiving, and many moments of gratitude and thankfulness now and every day!
I could wax poetic about the joys of playing a musical instrument! And indeed, there are many rewards. However, they don’t come at the beginning, when what you hear in your head sounds so much more beautiful than what you’re playing actually brings forth. The rewards wax like the moon, appearing with time, great patience, focused practice, and a healthy sense of humor! Meanwhile, you can still have fun and enjoy learning, as with this piece called “Carousel” that I wrote for viola and ukulele. If you want to learn a musical instrument, realize that it must be learned, that beginners aren’t supposed to sound like professionals–and play on!
“Wilt Heden Nu Treden” is the original Dutch title of the hymn we know as “We Gather Together.” Adrianus Valerius wrote the text in 1597, to celebrate the Dutch victory over Spanish forces at the Battle of Turnhout. The melody is a traditional Dutch folk tune, author unknown. Today the hymn is most often associated with Thanksgiving. You can read the English lyrics here.
I hope you enjoy hearing “We Gather Together” on lyre, viola, and Oriole (soprano) recorder!
The holidays are coming, whether we like them or not, whether we celebrate them or not, and no matter how different our celebrations may be this year than in years past! They are coming nonetheless, and it would be more positive to embrace them than to dread them, or wish they were different!
TO that end, I offer “The More We Get Together,” a Viennese melody composed by Marx Augustin in 1679. Its German title is “Oh du lieber Augustin.” In the United States, the tune is a children’s song, but it’s fun, and as strange as it may seem, also timely. We still need to get together with our loved ones, reach out and make new friends and contacts, etc. Even if our physical gatherings are limited, there are so many ways we can still get together for the holidays and all year long! As the song says, “The more we get together, the happier we’ll be!” I believe this to be true.
Today you’re listening to zither, Oriole (soprano) Recorder, and viola. That’s right, viola. You know, the middle voice of the string section in an orchestra… The instrument with its own individual clef for musical scores… The true alto, tuned a fifth below the violin and an octave above the cello… And the instrument that is the butt of nearly every joke in the orchestra… What? You mean you didn’t know any of that? Then you clearly don’t play viola! 🙂
Well, neither do I, at least not in the traditional sense. I hold the viola upright on my lap, more like a baby cello, and sometimes with a strap for support. Because of neck, shoulder, and back pain, I can’t hold it in shoulder playing position. I even removed the chin rest.
I also have more than normal trouble with the bow, especially in this position. So, I ditched the traditional long bow for a tiny–literally 4 inches long at most–bow meant to be used on acoustic guitar. It works. But it’s so short. This means that right now I can only play short notes, until I can purchase a different bow that’s easier on my right hand and arm. In addition, I’m playing with a rubber practice mute installed, to save my husband and neighbors from the full volume. So, no, I’m not traditional in this case. But dog gone it, I still want to play, and play I do!
I don’t have access to a multi-track device or software, so I recorded the zither, viola, and recorder separately, then mixed them. This takes a lot of time and is frustrating, but for now it will have to do.
One more thing… I know that at least one of my blog followers has perfect pitch. You know who you are. 🙂 Please accept my apology. I’ve had the viola less than a week, and I’m still working on intonation. A viola, like violin, cello, some banjos, etc, has no frets. So, you must learn, by a combination of sound and feel, where the musical intervals are on each string. Of course, there was a sticker on the fingerboard showing pretty colored lines for each note! But not being able to see made this a hindrance rather than a help, and I removed that as well. Correct intonation/pitch is the bane of every violinist’s, violist’s, and cellist’s beginning days. I’m not a total beginner, but it’s been years since I picked up a violin or viola. My intonation will improve, and thanks for bearing with me in the meantime!
Anglican bishop Reginald Heber wrote the lyrics to “Holy, Holy, Holy! Lord God Almighty!” but the hymn was not published until after his death. The melody is called “Nicaea” and was composed by John Bacchus Dykes. This hymn endures into the 21st century in many Christian denominations. I remember singing it as a child, in celebration of the Trinity.
I hope you enjoy this arrangement on alto recorder and lyre!
Mystical Strings 
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