“The Friendly Beasts” is a traditional Christmas song. Though some sources say it’s an english carol, the melody is actually French. It’s the 12th-century melody of the Latin song, “”Orientis Partibus”. Robert Davis wrote the current English lyrics in the 1920’s.
In my arrangement, the donkey is represented by zither. Viola represents the cow. The doves are represented by melody and harmony on alto recorder, and the sheep is represented by lyre. In addition, verses 3 and 4 (cow and doves) are accompanied by ukulele.
I hope you enjoy this touching Christmas song!
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“The Holly and the Ivy” is a traditional British folk Christmas carol. However, it is more popular in the United States than in England. Though the song can only be traced as far as the early 19th century, the association of holly with Christmas dates back as far as Medieval times, if not earlier. The carol varied throughout traditional communities, and the standardized version we know today was first published in 1909, in a folk song collection by Cecil Sharp.
This is another double strung experiment, where I play lyre and zither at the same time. I.e. the instruments are not mixed, but are played together in real-time. In my last double strung experiment post,
I said the next time you heard something with 2 rows of strings, it would be a real double strung harp. However, the harp won’t arrive until sometime next year (hopefully), and I really wanted to play something for Christmas. Ever since the first time I heard a double strung harp, with its ringing sound, I thought it would be especially beautiful at Christmastime.
I hope you enjoy “The Holly and the Ivy” on lyre and zither! I know I’ve enjoyed playing it!
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“Ihr Kinderlein, Kommet” is a traditional German Christmas carol, published in 1811. Christoph von Schmid wrote the German lyrics in 1798, and they were set to Johann Abraham Peter Schulz’s 1794 melody. You can find one English translation here.
I hope you enjoy this carol played on lyre, viola, and Oriole soprano recorder with melody and harmony!
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“Kommet, Ihr Hirten” (“Come, Ye Shepherds”) is a traditional German Christmas carol. However, it is based on an earlier Czech carol, entitled “Nesem vám noviny.” The melody is Bohemian, author unknown. Carl Riedel wrote the German lyrics, and the carol was first published in 1870.
The lyrics urge “Shepherds, men and women” to come to the Nativity scene and see the “lovely child.” They describe the angel’s visit, the shepherds’ walk to the manger, and their adoration of the Lord who has brought “peace on earth, goodwill to all mankind.”
I hope you enjoy this arrangement featuring melody and harmony on Oriole (soprano) and alto recorder respectively, lyre accompaniment, and the German lyrics I learned from a record album about 20 years ago!
This beautiful Christmas carol began as a poem written by Cecil Frances Alexander in 1848. The poem is based on Luke 2:4-7, which read:
“And Joseph also went up from Galilee, out of the city of Nazareth, into Judaea, unto the city of David, which is called Bethlehem; (because he was of the house and lineage of David:)
To be taxed with Mary his espoused wife, being great with child.
And so it was, that, while they were there, the days were accomplished that she should be delivered.
And she brought forth her firstborn son, and wrapped him in swaddling clothes, and laid him in a manger; because there was no room for them in the inn.”
In 1849, English organist Henry John Gauntlett discovered the poem and set it to his melody entitled “Irby,” which is the tune we still sing today.
I first heard this carol on a CD of English (as in from England) carols someone gave me for Christmas when I was about 15. It was a choral arrangement that began with a soprano soloist. For some reason the melody and lyrics
were unforgetable to me, and I learned to play the carol by ear on piano to accompany my singing.
Here is “Once in Royal David’s City” on ukulele, viola, alto recorder, and lyre. I hope you enjoy it!
Tomorrow we celebrate Thanksgiving in the United States. Wherever you live, this can be a time to reflect on and express gratitude and thankfulness. Gratitude is the inner feeling that you have received kindness. Thankfulness is the expression of that feeling. Both are positive and, though seemingly small, add so much to our lives. After all, if we don’t acknowledge the good things we already have, how can we receive more? The feeling of gratitude opens us to more positive feelings, including kindness and compassion toward ourselves and others.
“Angel” is a piece I wrote in 2003, on keyboard and harmonica. I hope you enjoy hearing it on lyre, Oriole soprano recorder, Oriole Dolce Duo (a double flute), and viola. Putting this together was a labor of love!
I wish each one of you a blessed, happy, hopeful, peaceful, and safe Thanksgiving, and many moments of gratitude and thankfulness now and every day!
“Wilt Heden Nu Treden” is the original Dutch title of the hymn we know as “We Gather Together.” Adrianus Valerius wrote the text in 1597, to celebrate the Dutch victory over Spanish forces at the Battle of Turnhout. The melody is a traditional Dutch folk tune, author unknown. Today the hymn is most often associated with Thanksgiving. You can read the English lyrics here.
I hope you enjoy hearing “We Gather Together” on lyre, viola, and Oriole (soprano) recorder!
Anglican bishop Reginald Heber wrote the lyrics to “Holy, Holy, Holy! Lord God Almighty!” but the hymn was not published until after his death. The melody is called “Nicaea” and was composed by John Bacchus Dykes. This hymn endures into the 21st century in many Christian denominations. I remember singing it as a child, in celebration of the Trinity.
I hope you enjoy this arrangement on alto recorder and lyre!
“Over the River and Through the Wood” is a Thanksgiving poem written by Lydia Maria Child. It was first published in 1844 as “The New-England Boy’s Song about Thanksgiving Day.” An anonymous musician set the poem to the tune we know today. You may find it interesting to read Over the River and Through the Wood: 7 Fun Facts
by New England Historical Society, while you listen to this fun song on lyre and alto recorder!
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